"Composition number five. Kandinsky. I've always said that I have much respect for painting abstracta.No about making a good combination of colors as this is easy, but creating a new world with colors and a different language that manages to be a work of art is hard work.
It is precisely to create this world of space and different, which makes them recognized Mondrain, Paul Klee, Miro, and many others. Today I want to comment on Kandinsky.
Vassily Kandinsky, Russian painter born in 1866 and at that time undertook the pictorial revolution that makes it a precursor of effusions painting, poetry and neo-impressionist.
figurative painting expresses the only copy or based on real, or not for the social context of his time will be lifeless forever "as a dead child before seeing the light "
Only the artist's inner spirit is the guiding legitimate paths on the canvas.
This text written in 1910, and published in Munich in 1912 under the name" On the spiritual art, "Kandinsky turns his poetic discourse that makes alliance with a philosophical discourse, it emphasizes that there is no differentiation between human affairs and the arts, the evolution of art calls for a spiritual revolution in man.
Watch this text speaks for itself:
"All creation of art is gestated for your time and, often, exploits our own feelings.
Thus, every stage of culture produces an art of non-specific can be repeated. To resurrect the past artistic premises may result in the best, works of art are like a child who died before seeing the light. For example, feel and live inside the ancient Greeks is unfeasible. Attempts to retrain the early Greek sculpture, produced only the Greek-like forms, but these works will be dead from the beginning "
" Red Oval "71.5 x 71.5. W. Kandinsky. .. "After a prolonged period materialistic, our spirit is still waking up, and devoid of faith, without need and without regard horizon, itself nestled seeds of despair. Has not completely finished the nightmare of the materialistic tendencies and a game that became painful and absurd life in the world. The spirit is awakening is still under the impression that nightmare. A dim light comes as a tiny point on a huge black sphere. It's a feeling that the spirit is concerned look, and you do not know if that light is only a dream and the black sphere of reality. This uncertainty and the grief still alive materialist philosophy alienate our spirit of primitive artist. Our spirit has a recess, which when played throws the sound of a thin broken vessel has been found in the depths of the earth. For this reason, the fans we have today to primitive art, provided fans will have a short future.
"Composition cuatro.Kandinsky number These two types of similarities between the new art forms of earlier periods, are entirely different, the former is just outside and has, therefore, future. The second is spiritual similarity and contains, therefore, in itself, the seed of the future. ".....
"Composition number ten" 1.30 x 1.95, 1939.Kandinsky years
're talking about a text of 1910, which takes full life today, and is just what the artist claims Daily:
the modern viewer, "just want to find in the work of art an imitation of nature that is helpful to some practical purpose (a portrait), or an imitation of reality that brings with it some interpretation ( Impressionist painting), or moods transformed into natural forms (often called emotion) (1). All these forms, artistic really have a purpose and are even in the first case, a nutrient for the spirit, especially are in the third case, as the viewer finds a connection to their soul. Obviously, this bond (or resonance) does not remain at the surface: the mood the work can be deepened and change the mood of the viewer. In all cases, these works do not allow the pettiness of soul and held in a determined tone, like a tuning fork holds the strings of an instrument. But even so, the extent and the purifying action of this tone are unilateral in time and space and do not exhaust all possible power of art "
" Painting with three spots, "Kandinsky ..... .. For their expertise, inventiveness and emotion, the artist yearns for a material reward. Their final destination is to satiate their greed, ambition. Instead of caring work between artists, establishing a dispute over these material ends. All complain about excessive production and the resulting competition. Dislikes, party, conspiracies, intrigue and jealousy are the products of the materialistic art has lost its meaning (2). The viewer moves away naturally from the artist who finds no meaning to his life in art and looking for more important objectives. "
..." The other art, which is likely to evolve, has its foundation in the spiritual age belongs, but it is not only mirror and echo it, it carries a crisp prophetic force that acts in depth. The life of the spirit, which also inhabits the art and art is one of the main causes is a complex movement, but patterned, outline Simply put, driving forward and upward. Such movement is knowledge. It can occur in various forms but essentially maintains the reasons are not clear why any progressive movement and should be done up with sweat, grief, anxious moments, sorrow. When it seems that it has reached the end of one phase, another difficulty avoiding the road, one hand spread unexpected and perverse new stones that threaten to close and completely blur the path.
Then comes a man much like us but they have inside a mysterious force and divination. This man contemplates and teaches. Sometimes you want to get rid of that under higher it weighs on occasion as a cross. But is unable to do so. Even against the ridicule and resentment, leads upwards and forwards the ungrateful humanity heavy truck that is stuck between the rocks. "
